Ebook Free No One at the Wheel: Driverless Cars and the Road of the Future

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Audible Audiobook

Listening Length: 8 hours and 34 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: November 13, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07JNT9RM3

Amazon Best Sellers Rank:

I experienced so many moments of insight as I read this book. Among them were Sam Schwartz's discussions on-The importance of maintaining lane and road markers and protecting roads from unanticipated sources of clutter and confusion, such as road signs defaced with graffiti that would confuse an automated vehicle image processing system;-The criticality of rethinking land use and street real estate allocations among vehicles, bicyclists and pedestrians-The intricate understanding of the non-verbal cues pedestrians and drivers interpret when a driver is edging toward a turn and a pedestrian is trying to cross the street in the crosswalk. Mr. Schwartz's understanding of the complexity of this and the difficulty of having it be translated and used in an artificial intelligence system was masterfully conveyed.-The challenge of having cities and towns dependent on parking violations revenue find other sources of revenue to replace lost revenue.There were many more discussions that wove together the technological, regulatory, economic and social challenges of transitioning to autonomous vehicles. I particularly liked his discussion of the EU's Global Data Protection Regulations and the degree to which they will inhibit the data collection that any artificial intelligence system, including the one that operates with autonomous vehicles, needs to learn and improve itself.The one subject that might have been covered in more depth is the degree to which AVs will depend on curbside communications infrastructure that has fragmented ownership and leasehold rights, obsolete rules on who can connect to a utility pole, and the potential for municipalities to overcharge those who want to build out 5G infrastructure on municipally-owned poles. However, that is a minor omission in an otherwise outstanding book.This is the kind of book that has been written so thoughtfully that I expect to be an exceptionally useful resource 20 years from now.

This book is much less about autonomous vehicles than the author's decades old policy push to reduce the use of automobiles and infrastructure used by automobiles while ignoring much of the problems for the economy, Uber drivers, the disabled and the increasing numbers of elderly that would be caused if his policies were followed to the extent he hopes. Maybe he likes riding his bike in a snowstorm, but he should also try to get bike riders to stop ignoring red lights, stop going the wrong way on one way streets, stay off sidewalks, use lights at night, and use the bike lanes when available, etc. Maybe he should also consider writing about the advertised subject of his book. The most useful thing he discussed about autonomous vehicles was the idea that if those vehicles stop automatically for pedestrians, pedestrians would learn to ignore them and the cars might not move for hours in places like New york City.

Not very enjoyable. Gives extensive history of prior decades automobile facts which don’t ever feel very relevant to today’s autonomous vehicles. He makes definitive statements like ‘AV will clearly create more cars on the road and more congestion’. I’m not saying I agree or disagree but maybe that conclusion should have come after an entire chapter of discussions instead of just throwing it in blindly and factually in chapters 1-3.

With a background in traffic engineering, it is easy to understand why author Samuel I. Schwartz is a proponent of autonomous vehicles (AV). However, by the end of the book I came to realize that Mr. Schwartz has taken the same hard-eyed approach to this technology as he applied during his years of service to New York City.Even people who have the smallest amount of knowledge about the coming AV evolution have strong opinions about it. Some welcome this future while others are adamant about not riding in cars without a human driver. Mr. Schwartz is extremely educated on this topic, one that appears inevitable in one form or another. As with any major change, questions present themselves, some of which may not be solved before an army of autonomous vehicles are on the streets.Mr. Schwartz is not afraid to get his hands dirty, and one of the final chapters deals with the moralistic aspects, including who may be held accountable for accidents and fatalities. When one considers the myriad possibilities in the potential programming of these vehicles, including more loss of personal privacy, it is easier to understand the precarious balancing job people will have when deciding what programming the “driver” should adhere to in different situations.The writing is deep without being dry, multi-faceted without an overwhelming mountain of detail. This future is quickly becoming our “Now,” and this book contains more than enough knowledge to enable readers to understand exactly what is racing our way. Recommended. Five stars.

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Free PDF Gilead: A Novel, by Marilynne Robinson

Free PDF Gilead: A Novel, by Marilynne Robinson

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Gilead: A Novel, by Marilynne Robinson

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Review

“At a moment in cultural history dominated by the shallow, the superficial, the quick fix, Marilynne Robinson is a miraculous anomaly: a writer who thoughtfully, carefully, and tenaciously explores some of the deepest questions confronting the human species. . . . Poignant, absorbing, lyrical...Robinson manages to convey the miracle of existence itself.” ―Merle Rubin, Los Angeles Times Book Review“Incandescent . . . magnificent . . . [a] literary miracle.” ―Lisa Schwarzbaum, Entertainment Weekly (A)“Rapturous . . . astonishing . . . Gilead is an inspired work from a writer whose sensibility seems steeped in holy fire.” ―Lisa Shea, Elle“Lyrical and meditative . . . potently contemplative.” ―Michele Orecklin, Time“Perfect.” ―Jeremy Jackson, People(four stars)“Major.” ―Philip Connors, Newsday“You must read this book. . . . Altogether unlike any other work of fiction, it has sprung forth more than twenty years after Housekeeping with what I can only call amazing grace.” ―Anne Hulbert, Slate“So serenely beautiful and written in a prose so gravely measured and thoughtful, that one feels touched with grace just to read it.” ―Michael Dirda, The Washington Post“There are passages here of such profound, hard-won wisdom and spiritual insight that they make your own life seem richer. . . . Gilead [is] a quiet, deep celebration of life that you must not miss.” ―Ron Charles, The Christian Science Monitor“Gilead is a refuge for readers longing for that increasingly rare work of fiction, one that explores big ideas while telling a good story. As John Ames might point out, it's a remarkable thing to consider.” ―Olivia Boler, San Francisco Chronicle

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About the Author

Marilynne Robinson is the author of the modern classic Housekeeping--winner of the PEN/Hemingway Award--and two books of nonfiction, Mother Country (FSG, 1989) and The Death of Adam. She teaches at the University of Iowa Writers' Workshop.

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Product details

Paperback: 247 pages

Publisher: Picador; Reprint edition (January 10, 2006)

Language: English

ISBN-10: 031242440X

ISBN-13: 978-0312424404

Product Dimensions:

5.4 x 0.8 x 8.3 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

1,323 customer reviews

Amazon Best Sellers Rank:

#8,397 in Books (See Top 100 in Books)

The works of Marilynne Robinson have been a gap in my reading. I am a protestant minister and one of my most faith-filled members has read everything Robinson wrote, so I thought it high time to read her. This book astounded me. As an old preacher, I was stunned how Robinson captured so much of the ambiguity, deep rooted faith and experiences of a life long parson. Does that sound a little confused? It may be. Marilynne Robisnon captures it all. The minister in the book has a rock solid faith, but a realistic opinion of his work. The descriptions of his work as a preacher hit home. Two thirds of the way through this incredible book, I knew that when I reached the last page, I would start it over again to revisit its power and to capture what I might have missed. If you are a minister, you must read this book. Robinson demonstrates the extraordinary in the ordinary. She shepherds us up to our own death and helps us face it with confidence. She validates our lives in places where we wonder if they have had any impact. She makes clear the power of the church. The little church in Gilead where Ames preaches will die when he does. But that does not mean the death of faith. The victory is just under the surface. Just under the surface, filled with wonder and majesty. This book is an amazing unveiling of the truth of the Christian faith, barely hidden behind the curtain of human mortality. Robinson's guided tour of the dusty, dry insignificant town of Gilead is a walk through the deepest of our human experience. She shows us how to celebrate life and God and appreciate every last thing about this life and the life to come.

Gilead is a slow-burning novel told in retrospect by an old Midwestern minister facing death. It is scattered and covers a wide range of experiences, as the minister's letter--meant for his child, who is too young to understand it yet--jumps between his childhood, his father's childhood, his time in seminary, the family drama of his neighbors, and his own love story with his much-younger wife. But the heart of the story is beautifully human and contemplative.This is not a story for the inattentive, or even for those who simply prefer a straightforward plot. Gilead's storyteller weaves back and forth between at least five different sub-plots, sometimes jumping ahead in one before telling us the meaning of the other. One almost needs to read it twice, simply to see again what he meant he made the reference to his grandfather in the first part of the story, before we had ever met his grandfather or known about his relationship with him. There is a central narrative of events that take place in the story's present, as the minister is writing, but this narrative is often sidelined by the stories of the past or general philosophical asides on Calvinist doctrine.This may make the book sound dull or didactic, but in fact it is neither. The Calvinist doctrine comes across more as a character trait than as the author preaching at the reader, and reflect more on the self and the needs of the soul than on the nature of sin and the cosmos. And while the book is definitely slow and contemplative--even the stories of the past rarely ascend beyond a shouting match, the human drama at the heart of it makes the entire story compelling in a way that should resonate with many readers. The minister has fears, doubts, and regrets like any man, but he is also, unquestionably, a good man, looking back at his life and struggling with jealousies and resentments he knows are unjustified. He is a good man without being an idealized one; a refreshing thing in modern fiction.Gilead is not a fiery book. It is not a fast book. It does not explode with passion or shout for your attention in the normal ways. It is wandering and thoughtful and at times conflicted. It is, in fact, most like sitting in the living room with a very old friend, talking of days that have gone by and days that are to come. It is a book for people of all ages, races, and creeds, and a book I thoroughly recommend.

Robinson won the Pulitzer Prize for this fictional story of an aging and dying pastor who wants to leave for his young son a written legacy of his life. John Ames is a third generation pastor in the little town of Gilead, Iowa. He has spent virtually his whole life in Gilead, and most of it faithfully pastoring a little church. He married young and had a child, but both his wife and little girl died shortly after the child was born. Ames spent the rest of his life single until age 67 when a young woman attended a Pentecost service at which he was preaching. He immediately fell for her and marriage soon followed. A little boy brought joy to their home but at age 76 Ames is dying of heart disease and he is acutely aware that his son would never remember him, at least nothing of significance. So the pastor used his remaining energies to write his memoirs, not just events but of his thoughts, what his philosophy and theology was and what concerned him about the future for his wife and son. The result is a thoughtful, heartwarming story about life, what is important, and how we want to be remembered.Reviewed by Gary E. Gilley, Pastor-teacher, Southern View Chapel

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Ebook Download Like I See It: Obstacles and Opportunities Shaping the Future of Retail Automotive

Ebook Download Like I See It: Obstacles and Opportunities Shaping the Future of Retail Automotive

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Like I See It: Obstacles and Opportunities Shaping the Future of Retail Automotive

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Audible Audiobook

Listening Length: 3 hours and 29 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: vAuto Press

Audible.com Release Date: November 23, 2017

Whispersync for Voice: Ready

Language: English, English

ASIN: B07847LBWY

Amazon Best Sellers Rank:

After reading both of Dale’s great ‘velocity’ books, I expected this one to be a follow up or advancement of his theories. Instead, I discovered an incredibly insightful and forward-thinking book about the future of the automotive industry as we know it today. If you are a dealer, a dealership employee or you work for an OEM, read this book.

This book is a crystal ball showing you exactly what customers are demanding of our industry. Every business claims to "exceed customer's expectations"... except the car business.

Dale is certainly one of the thought leaders in automotive. Read the book and see why dealers will have to learn to change to deal with the future.,

Once again Dale Pollak has uncovered industry best practices in this quickly evolving industry. With a warning for the future, that we must heed.

Excellent read.

Dale is always on point. Great read

Great book.

Great read for anyone in the automotive industry.

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Ebook Foolproof: Why Safety Can Be Dangerous and How Danger Makes Us Safe

Ebook Foolproof: Why Safety Can Be Dangerous and How Danger Makes Us Safe

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Audible Audiobook

Listening Length: 8 hours and 43 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: October 13, 2015

Language: English, English

ASIN: B0167A5C1I

Amazon Best Sellers Rank:

Foolproof was excellent and much more subtle and thought provoking than its subtitle “Why Safety Can Be Dangerous and How Danger Makes Us Safe” would lead you to think. Instead of a retread of the well known Peltzman effect (the idea that innovations design to enhance safety just lead to greater risk taking without necessarily increasing safety) the book is actually a subtle and wide-ranging exploration of when it is true, when it is not, and its implications (e.g., seatbelt—the original Peltzman claim—actually don’t have the effect because people forget they are wearing them so don’t actually alter their behavior much, but antilock breaks are something you directly engage with while driving and lead to less safe driving). The wide-ranging aspect is a substantial amount of economics which is Greg Ip’s speciality, especially the recent financial and eurozone crises, but also safety in areas like food, floods, wildfires, automobiles, airplanes and professional football. Although Ip somewhat heroically tries to extract some lessons from all of this, the real strength of the book is tying together disparate topics and making you realize that there are no easy answers to any of these questions. That said, I personally find myself generally more sympathetic to what Ip calls the engineers (i.e., the people who try to make innovations to increase safety) rather than the ecologists (i.e., the people who worry about preserving the ecosystem as a whole without disturbances like new safety innovations). But overall an exciting read and thought provoking whether or not you agree with every part of it.

Don't get me wrong it's a great book. Lots of nice tidbits of history.Given the author's background in Financial Journalism, it is unsurprising that stories of financial disasters and the events leading to them take up a lot of pages. Greg has of course done a good job in relating them to the main theme of the book, the safety paradox (how making trying to make ourselves safer from one thing makes prone to disaster elsewhere).If you like a good insightful read on the human obsession of self preservation and protection then this is an interesting book. It covers a lot of topics but is very heavy on financial disasters and their history.There was great potential to show insights into what neuro-psychological research has revealed about our behaviour but sadly that was lacking in this book. It is a good book to read once but not something I'd keep as reference.

While the premise - that making things too safe encourage unnecessary risk taking that may be more dangerous, is in some senses a logical outcome. And the authors discussion of how this related to the recent financial melt down was excellent, he beat the living daylights out of it to the point of becoming weary.While I would recommend it, be prepared to tear your hair out a little when it becomes tedious. I some ways, this is a rehash of a book called "Cycles" which posited that we will have another depression once all the people who lived through the last one had passed on, taking their risk aversion with them.

Mr. Ip is a singular talent in financial journalism for his ability to distill very complicated topics to digestible text. Foolproof is a must read for anyone interested in federal policy and regulation, especially with respect to financial institutions. Risk, perceptions of risk and self interested human behavior mean that rules do not operate on a simple linear system, but a complex and sometimes chaotic system where secondary impacts are not always intuitive. Even those of us who do not agree with all of the points made in the book can learn something, and appreciate Mr. Ip’s clarity and insight.

Greg Ip is a solid columnist with a fine writing style and a solid understanding of economics and human behavior. His book is well worth reading because we now live in a society that assumes that risk can be managed around. Ip points out that by avoiding small disasters we are likely to set the stage, unwittingly, for a large disaster.

This book was truly thought provoking and I enjoyed reading various analogies that the author has linked together. It's a worthwhile read that will help put things in perspective. I would especially recommend to students of economics and finance to help them understand real life applications, that life is not so linear.

It is widely accepted that the policy of suppressing natural forest fires has had two undesirable consequences. One is that more combustible material will make subsequent fires bigger; the other is that the lack of experience of recent fires encourages people to build in areas subject to natural fires, thereby increasing the impact of subsequent larger fires. This book describes other contexts in which measures to reduce risk that are sensible in the shorter term may be harmful in the longer term. The emphasis is on the second effect -- that changing perception of risk may cause changes in human behavior. In economics, for instance, the "Great Moderation" of comparatively stable macroeconomics (growth, inflation and interest rates), perceived as a permanent state of affairs controllable by government, undoubtedly encouraged greater risk-taking by both households and financial institutions, and set the stage for the financial crisis of 2007–08.The author paints a broad picture: river flooding and antibiotic resistance, catastrophe insurance and credit default swaps, automobile and airplane safety, and a dozen more topics. He writes in a familiar modern style -- brief histories of the topic, accompanied by interviews with or stories about individuals.To me, the book constitutes a very readable part of a first look at the big picture of risk in the "public policy" sense. However, looking at these particular topics through this particular lens gives only part of the story. As another reviewer commented, if you want to engage a conversation with someone knowledgeable about one of these topics, you had better learn a lot more.

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Free Download The Fault in Our Stars

Free Download The Fault in Our Stars

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The Fault in Our Stars

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Audible Audiobook

Listening Length: 7 hours and 14 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Brilliance Audio

Audible.com Release Date: January 10, 2012

Whispersync for Voice: Ready

Language: English, English

ASIN: B006VPAXQY

Amazon Best Sellers Rank:

I am not quite finished with the book, but so far, I think it is very well written. It covers a topic that is difficult to talk about and is often avoided. It has been challenging for me to get through; however, I feel like I should add my perspective. I was diagnosed with cancer at 10. I am now 15 years old and a teen-age cancer survivor. I am a volunteer and advocate for pediatric cancer awareness.This book has gotten negative reviews based on several points:1) This is from another reviewer: "The characters are not believable. They do not speak like teenagers. They do not even handle situations like teenagers do. So many interactions between Gus and Hazel are interactions which, plain and simple, just would not happen between real, emotional, scared, awkward, virgin teenagers, let alone ones with cancer who have been socially cut off for much of their lives."*My point-of-view: Have you spent time with any of us? They are believable as teen-age cancer patients/survivors. We may look like teen-agers, but in our heads, we are not. We have had to face our own mortality and make choices we should never have to make. It makes us grow up...quickly. Most of us do not act or speak like teen-agers because that is no longer how we think. After treatment, many of us find the things most teens (and sometimes adults) are worried about are trivial. Society cuts us off, but we are not cut off from each other. These types of interactions do happen. And, it is emotional and scary, but we learn to tell it like it is, without the normal fluff and awkwardness. We find 'normal' where we can and try to live every single day we have because we know that time is an illusion.2) The parents are not real, not deep characters, and they do not have their own identities.*My point-of-view: I have seen my own parents (and siblings) and the parents of other friends struggle with this. Many times, they do not have their own identities anymore. Every single minute is spent trying to make it to the next! They try to keep the family together and functioning, in spite of the effects of treatment, fevers and midnight trips to the emergency room, 3 weeks of the month spent in isolation, jobs in jeopardy, birthdays and holidays interrupted, not to mention talks that parents never want to have with their child. I've talked to my mom about this. This becomes their identity. My mom said their jobs become about doing whatever it takes, travelling all over the country (which is very common), researching new studies, and new medicines, all to help us survive and thrive with grace and dignity. It is also their job to prepare, if treatments don't work, to help us die with just as much grace and dignity.I hope everyone can read this with an open mind and an open heart. Then, reach out to the patients and survivors in your communities. They are wise beyond their years, funny, brave and inspiring.

The best stories are about memory.The Fault in Our Stars by John Green is quite possibly the best standalone novel I have ever read and is certainly the most phenomenal book I’ve had the privilege to experience in the year 2013. It is my third favorite story and favorite non-fantasy novel. The title comes from Shakespeare’s Julius Caesar, and it sets the perfect tone for this story written in the first person by Hazel, a sixteen year old girl in the regressive stage of lung cancer who nevertheless is required to cart around an oxygen tank because (as she so perfectly puts it) her “lungs suck at being lungs.” Her mother forces her to go to a cancer patient/survivor group where she proceeds to exercise her considerable teenage snark and wit along with her friend Isaac who is suffering from a type of cancer that eventually requires the removal of an eye.One day Hazel catches the attention of a boy named Augustus and their romance is as breathtaking and expedient as it is completely genuine and uncontrived. Augustus has recovered from bone cancer that left him with a prosthetic leg, but did nothing to diminish his spirit. She can scarcely believe he’s as perfect as he projects and indeed feels as though she’s found his hamartia or fatal flaw when he puts a cigarette in his mouth. Hazel is of course livid that anyone who survived cancer would willingly place themselves into its way again, but Augustus never lights them using the act as a metaphor of having “the killing thing right between your teeth, but you not giving it the power to do its killing.”Both of them together have enough wit and snark to drown the world in metaphors and sarcasm with just the barest dash of bitterness for their plight. Hazel whom Augustus calls “Hazel Grace” for most of the novel feels incredibly guilty that she’s allowed Augustus to fall for her as she and her family expect her cancer to return full force at any moment, and yet their relationship parallels the ever moving train of her mortality. So much so that Hazel shares with him that her favorite book is a story by the reclusive author Peter Van Houten called An Imperial Affliction.“My favorite book, by a wide margin, was An Imperial Affliction, but I didn’t like to tell people about it. Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book. And then there are books like An Imperial Affliction, which you can’t tell people about, books so special and rare and yours that advertising that affections feels like a betrayal.”Van Houten’s work is very meta to the larger story at hand being about a girl named Anna who suffers from cancer and her one-eyed mother who grows tulips. But Hazel makes it very clear that this is not a cancer book in the same way that The Fault in Our Stars is not a cancer book. Anna grows progressively sicker and her mother falls in love with a Dutch Tulip Man who has a great deal of money and exotic ideas about how to treat Anna’s cancer, but just when the DTM and Anna’s mom are about to possibly get married and Anna is about to start a new treatment, the book ends right in the middle of a-Exactly.This drives Hazel and eventually Augustus up the wall to not know what happened to everyone from Anna’s hamster Sisyphus to Anna herself. Hazel assumes that Anna became too sick to continue writing (the assumption being that her story was first person just as Hazel’s is), but for Van Houten to not have finished it seems like the ultimate literary betrayal.As terrified as Hazel was to share this joy with Augustus (and god knows I understand that feeling) it was the best thing she could’ve done because they now share the obsession and the insistence that the characters deserve an ending.The conversations of Hazel and Augustus are not typical teenage conversations, but they’re not typical teenagers. Mortality flavors all of their discussions and leads to elegance such as“The tales of our exploits will survive as long as the human voice itself. And even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us.”They speak of memory and calculate how there are fourteen dead people for everyone alive and realize that remembering fourteen people isn’t that difficult. We could all do that if we tried that way no one has to be forgotten. But will we then fight over who we are allowed to remember? Or will the fourteen just be added to those we can never forget? They read each other the poetry of T.S Eliot, the haunting lines of Prufrock,“We have lingered in the chambers of the seaBy sea-girls wreathed with seaweed red and brownTil human voices wake us, and we drown.”And as Augustus reads Hazel her favorite book she“…fell in love the way you fall asleep: slowly, and then all at once.”The quotes from this story are among the most poignant and beautiful I have ever seen.“Grief does not change you, Hazel. It reveals you.”“There will come a time when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.”When I finished this I thought to myself, “How am I going to read anything else? How will I find something to match this? How can I pick up another book and not expect it to resonate with this haunting beauty, this tragedy ringed with comic teenage snark and tones that are themselves tragic in their sarcasm like whistling in the ninth circle of hell or laughing uproariously at the monster?” I realized I was lost. I could think of no negative critique unless you count the fact that the two main characters have Dawson’s Creek Syndrome where they’re teenagers who speak as if they were philosophers, but then again Bill Watterson did the same thing with a boy and a stuffed tiger.You realize the story’s hamartia doesn’t matter. That the fact that the plot may be cliched is unimportant and that dwelling on such trivialities is in and of itself a fatal flaw. This story is so much more than the letters and words on each page. It’s the triumph of morning over night when the night grows ever longer. It’s the dream of hope when you’ve done nothing but dine on despair. It is sad? Yes. It is heartbreaking? More so. Is it worth reading? Has anything sad and heartbreaking not been worth reading? The story of Hazel and Augusts deserves to be read just as the story of Anna, her mother, and dear hamster Sisyphus deserves an ending, and that becomes their exploit to seek out reclusive Peter Van Houten so that the characters can be properly laid to rest and remembered.The best stories are about memory.

My thoughts at 25%:I'm so confused. Why is this book hilarious, with all its witty banter and thoughtful philosophy? Shouldn't I be crying over the depth of the subject matter? Shouldn't I be feeling broken by the abject loss of the power of death - the way it's so all-consuming and doesn't care who it touches or who it hurts? How is it that I keep smiling this delighted smile and laughing gleefully over the way these characters find joy in spite of their suffering? Maybe it's the irony of Hazel's cynicism, I don't know.My thoughts at 50%:Okay. The end of Chapter 10? I can't stop crying. Augustus is funny and smart and intellectually stimulating. He's quick and clever and patient and gentle. But he's also a little bit of a smartass and he's impossibly fun. It's brutally endearong, especially combined with Hazel's matter of fact personality, her acceptance of life as what it is and not what she wishes it was. My emotions are so raw right now ... I need a break from the story ... And yet I cannot force myself to take one.My thoughts at 75%:I wear glasses because chronic dry eye syndrome gives me progressively horrifying eye fatigue, which blurs everything more and more the longer the day goes on. But right now I'm reading with my glasses off, and everything is a blur, because I can't wear glasses while crying.My thoughts at 100%:I finished this book somewhat disappointed. I didn't cry my way through the end, as I had expected to. But I read that last word, closed it out, and promptly burst into tears. For its appreciation of both life AND death, for its humor AND its realistic portrayal of devastation, for its twists AND its inevitable turns ... For its lessons and its inspiration ... Five stars.

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Free Download Boomerangs: How to Make and Throw Them

Free Download Boomerangs: How to Make and Throw Them

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Boomerangs: How to Make and Throw Them

Free Download Boomerangs: How to Make and Throw Them

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Product details

Paperback: 112 pages

Publisher: Dover Publications (June 1, 1974)

Language: English

ISBN-10: 0486230287

ISBN-13: 978-0486230283

Product Dimensions:

5.2 x 0.5 x 8.5 inches

Shipping Weight: 5 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

31 customer reviews

Amazon Best Sellers Rank:

#282,768 in Books (See Top 100 in Books)

i did not have that problem. my first attempt at making a boomerang was an instant success. i read the few pages on making your first boomerang and an hour later i had my first successful flight. it is a reprint of a book from the twenties or thirties and i got a kick out of one of the materials being a stick that is used to measure how much gasoline is in the tank of an automobile. Classic! cars may have changed since then but the basic properties of boomerangs hasnt. if you want to impress some kids just whittle out a boomerang for them.

Awfully dated but still a useful and informative guide for the beginner. I plan on using this as an easy introduction to the hobby.

Bought this as a supplement present for my boyfriend to go with a boomerang. I didn't think this was going to be as much of a hit as it was!! Easy to read and interesting. You might even be inspired to make your own boomerang.

Fun little book for me. I have learned to "customize" my store bought boomerangs. It has shown me how to teach my 6 year old grandson to make and throw boomerangs as easily as paper airplanes.

My nephew likes the book...well he likes the idea of boomerangs and I read it to him. It's fun of you want to build one.

Great

A 'classic', first read this 30+ years ago, still in print, still a great guide to making your own proper boomerangs, that really return, and the author explains gyroscopic precession!

A gift for a young man who needs help on tossing boomerangs. He says it has helped!

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Get Free Ebook Photoshop Down & Dirty Tricks for Designers

Get Free Ebook Photoshop Down & Dirty Tricks for Designers

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Photoshop Down & Dirty Tricks for Designers

Get Free Ebook Photoshop Down & Dirty Tricks for Designers

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About the Author

Corey Barker is an Education and Curriculum Developer for the National Association of Photoshop Professionals, and Executive Producer of the Planet Photoshop website. He has regular columns in Photoshop User magazine, was a contributing author to Photoshop CS4 Down & Dirty Tricks with Scott Kelby, and was a contributing author to 3D in Photoshop: The Ultimate Guide for Creative Professionals. He’s a featured instructor at the Photoshop World Conference & Expo, is an Adobe MAX Master Instructor, and has taught thousands on the Photoshop Down & Dirty Tricks seminar tour. Corey has produced numerous online training courses and DVDs on Photoshop and design for Kelby Training. He holds a BFA in Illustration from the Ringling College of Art & Design in Sarasota, Florida.

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Product details

Series: Down & Dirty Tricks

Paperback: 384 pages

Publisher: New Riders; 1 edition (November 25, 2011)

Language: English

ISBN-10: 0321820495

ISBN-13: 978-0321820495

Product Dimensions:

8 x 0.7 x 10 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

67 customer reviews

Amazon Best Sellers Rank:

#599,353 in Books (See Top 100 in Books)

Corey Barker is a phenomenal graphic artist and photoshop guru. This second book, just like the first Down and Dirty Tricks, is not just for designers. If you are looking to improve your Photoshop skills as well as kick-start your creativity then this book is for you. You will learn valuable techniques for creating your own brushes as well as extracting and compositing images in photoshop. This book is geared toward those folks that are somewhat familiar with using Photoshop and teaches some of the more advanced skills. That being said even beginners will learn more about using photoshop in a variety of ways. For those who are just getting their feet wet with Photoshop I recommend Corey's first Down and Dirty Tricks book.

Corey covers just about every kind of project you might want to tackle in Photoshop. Along with Matt Kloskowski's book on Compositing Secrets, this book serves up step-by-step Photoshop recipes for compositing Hollywood posters, developing customized brushes--and how to use them--and 3d...it's all in here. If you've ever seen Corey give a presentation, you know how thorough he is, and this book is no exception. Every step, and contingency, is covered in minute detail. Photos are in gorgeous color, and they are given plenty of space so you can really hone in on the details. I would get this book, Matt Kloskowski's Compositing book, as well as one/both of his Layers books, and you will be in Photoshop Nirvana.

I had to buy this book for a class in advanced Photoshop skills. The projects were interesting, however, there are a LOT of steps that are left out.I've been working in Photoshop since it came out, and that was the only way I was able to navigate myself to the missing directions. Some were VERY time consuming, and I can't imagine someone without the background that I have in Photoshop actually figuring it out.Honestly, I was frustrated and unhappy with this book.

This book was a quick read, and it follows the clean, concise, visual, to the point pattern set out in other NAPP (National Association of Photoshop Professionals) books. There are images to demonstrate practically everything he describes. His instructions are clear, and thankfully lack the ad nauseam detail that bores me to tears. He tells you what he's doing, and shows you, including before and after. That's what I need.While I found the whole book valuable, my two favorite chapters were Chapter 2, the 26 Piece Tool Set, and Chapter 7, A Dream Within a Dream. In Chapter 2 there is a subsection where he takes a plain brown graphic, sort of fleur de lis-ish, and with layer style turns it into a dramatic, metallic, three-dimensional image (without using real 3D techniques for CS5 Extended). It was a very impressive transformation.Chapter 7 is about 3D, which requires Adobe Photoshop Extended CS5, and given the fact it is written by Corey Barker, the Photoshop TV (podcast) 3D guy of course it's great. He explains in the book that he also has a video demonstrating the topic on-line; I personally like the print version. I've see him demo 3D numerous times on the podcast, and seeing it is print, where I can internalize at my speed what he is doing is more concrete. I can then refer to it when I'm actually in front of the computer, turning my company logo into a cool 3D image.He also utilizes the define brush command, which granted, I've done, but really rarely use. He refers to it a couple of times in the book, to again create these 3D type effects, (again without using real 3D techniques for CS5 Extended) like lightening, or a blood splat, and I think to myself, "Now how can I work in lightening?" Because it looks so great. From the Photoshop 3D guy, 3D effects without CS5 extended.

If you ever watched Photoshop User TV you know who Corey Barker is. He usually gets labeled as the "3D" guy, but he is way more than that. He's actually the one person I've seen use every nook and cranny of Photoshop to create really cool designs. In this book he has taken his years of experience and teaching for Kelby Media and put it into something that is easy to read and laid out . It's labeled "For Designers", but I think it's for any creative person who wants to make their ideas standout. Ask yourself this:Have you ever seen a cool poster and wished you could do that?Want to market an item but your ideas look flat?Want to portray people in cool and visually striking ways?If you said yes to any of these then buy this book! I'm not sure how many tutorials are in here, but there are a lot. The tutorials aren't 20 pages long to show you one thing either. They are to the point and easy to follow. If you're still not sure, click over to PlanetPhotosop and watch some of Corey's lessons. I think you'll be back after that. Enjoy the book & share your work!

Perfectly cool book. I'm a graphic designer and I got a kick out of the cool things that I learned in this book. It seems like you go to school and learn all you can, but you always want to keep looking for books that increase your knowledge on the subject that you love, and this is one. I recommend it for professionals and even people that are interested in Photoshop. It helps if you know some of the ground rules in this application before trying the skill set in this book. Have fun. I felt it worked well with CS4 too, since that is what I have.

Easy to follow, full written instructions!!!! Used to learn more PS tricks and to refresh my memory on others.

I received this book today from Amazon. Wow! This is what Tutorial books should be like. Every page has at least two screen shots - more often somewhere like four (love it!). I like this format because I can use it as a fast-access collection of recipes, with the-before, the-after, and all the steps in between necessary to get there in a graphical format. I know about Corey Barker from watching his great tutorials on KelbyTraining. These types of books are a great complement to video training.I found that training is key to achieving excellence. This book helps me get there.

Photoshop Down & Dirty Tricks for Designers PDF
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