Monday, March 6, 2017

Ebook Download Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way

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Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way

Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way


Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way


Ebook Download Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way

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Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way

About the Author

Sarah Bennett has written for magazines, the Internet, television, and books. She also spent two years writing for a monthly sketch comedy show at the Upright Citizens Brigade Theater in New York City. When not living by her philosophy of will write for food, Sarah walks her dog, watches Red Sox games, and avoids eye contact with other humans. Somehow, she lives in New Hampshire and works in New York. "F*ck Feelings", written with her father Dr. Michael I. Bennett, is her first book.

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Product details

Series: Travel Guide

Paperback: 688 pages

Publisher: Lonely Planet; 17 edition (October 1, 2014)

Language: English

ISBN-10: 1742207871

ISBN-13: 978-1742207872

Product Dimensions:

5 x 1.1 x 7.8 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

78 customer reviews

Amazon Best Sellers Rank:

#264,494 in Books (See Top 100 in Books)

Sort of helpful *before* your trip to plan high-level itinerary, but the book reads like a travel brochure rather than a guide. Very limited use once on the trip. The first 15 pages are the most useful sections. They give you high-level recommendations on regions to spend your time (where and for how many days), as well as “must-dos” in NZ.The book does well on zooming into a city’s center and showing where the clusters of restaurants, bars, and notable shopping areas are. That helps you quickly figure out how close a particular restaurant is to where you're staying (if you're staying in-town).General lack of information on “things to do” while in NZ: For example, in Wanaka, it makes almost no mention of any particular good walking tracks (Rob Roy to Mt. Aspiring, duh!) and rather just becomes a “phone book” of commercial companies offering guided experiences. There isn’t even much commentary on the differences between the various guided companies. This is completely useless since this info is easily searchable on Google/Tripadvisor and readily available in all of the ad material in NZ. And the Internet has real user reviews! This theme repeats itself throughout most of the cities in the book. The free magazine your car rental company gives you is almost just as good.Too much focus on commercial guide company listings and not enough real info. For example, it’s easy to google kayak companies in Abel Tasman, but the more difficult question is what else I can fit into my drive from Abel Tasman heading south to the next big thing? Any good pit stops? Quick bang for the buck detours I should make? And how long will it take? What places are good bases for exploring a region? These are the practical questions that the book will not provide answers to.Most of the maps suck. They are either super zoomed in to one specific neighborhood, or super zoomed out showing 1/4 of the island. This works for very metropolitan city visits, but not for NZ. There is no middle ground view for the towns themselves. Given NZ sometimes has confusing (or non-existent) road signs, this info is key! This makes navigating from 1 small town to another challenging, especially without GPS navigation.Everything is grouped into one “region” with no practical information on navigating through the area. For example, the book solidly touts the Hot Water Beach as a fun visit, and groups it in the Auckland section, but fails to mention that it’s 2+ hours away from Auckland. What else do you suggest I do that day? Are there any stops along the way that are worth making? That's 4+ hours of driving in a day that it casually sells as a 'stop by while you're in Auckland and then have coffee in the afternoon back in the city center'! Tell me it's 4 hours away and help me build an Auckland itinerary instead.Positive: some good restaurant recommendations that turned out quite good. However, I could have just as easily searched these on the day-of online.

About Five years ago, I purchased the Lonely Planet guide to the South Island New Zealand. This guide looks like a combination of the North Island and the South Island Guides. The section on the South Island looks almost identical to the guide that I have that is Five years old. I was hoping for some updated descriptions or new entries or expanded areas - instead, it is the same old thing.

I'm a big fan of lonely planet guidebooks but this one wasn't nearly as comprehensive and insightful as a lot of the other places they review. It's also good to know what not to do and stay away from like completely waste of time tourist traps. I ended up going to some places that other LP guidebooks would very kindly steer me away from (like Lake Tekapo which isn't actually a lake but a reservoir and doesn't actually have any real hotsprings just a big swimming pool with heated lake water, plus the mountain views are infinitely better only about 30 minutes up the road)

This guide seems to be pretty good in that it is much like nearly all others. There is information about a large number of things, but it is still hard to make decisions about what to see. There just isn't enough information about any of the items to create a clear understanding of what you might want to see or skip

Lonely Planet is always my favorite travel guide. It may not be the most detailed, but it is definitely the most accessible. Description is succinct and maps are accurate. The short essay on the history of New Zealand is the gem.

My husband and I loved this guide book! It has a lot of fun information in it as well as very practical info about hotels, food, and activiites. I wish it had more about camping since NZ is big about freedom camping but everything else about the book is amazing.

Have used Lonely Planet books when traveling several times in various countries but this edition for New Zealand was BY FAR THE WORST!!!It seemed to just be an extended advertisement for outfitters and tourist traps. Better than not having any guide book at all but really didn't measure up to the Lonely Planet standard.

Used extensively while planning for and road-tripping South Island for 8 days this month, in conjunction with many online tourism and review sites. Definitely used it to both select and avoid some activities and restaurants, and was happy to see that some places we'd selected independently were mentioned in the book.

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Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way PDF

Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way PDF

Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way PDF
Lonely Planet New Zealand (Travel Guide), by Lonely Planet Charles Rawlings-Way PDF

Saturday, March 4, 2017

Free PDF The Secret Language of Churches & Cathedrals: Decoding the Sacred Symbolism of Christianity's Holy Building

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The Secret Language of Churches & Cathedrals: Decoding the Sacred Symbolism of Christianity's Holy Building

The Secret Language of Churches & Cathedrals: Decoding the Sacred Symbolism of Christianity's Holy Building


The Secret Language of Churches & Cathedrals: Decoding the Sacred Symbolism of Christianity's Holy Building


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The Secret Language of Churches & Cathedrals: Decoding the Sacred Symbolism of Christianity's Holy Building

About the Author

Richard Stemp studied Natural Sciences and History of Art at the University of Cambridge, and has a Ph.D in Italian Renaissance sculpture. After a year at the Academy of Live and Recorded Arts, he now divides his time between art history and acting. He teaches in London for the National Gallery, Tate and Buckingham Palace, as well as on site in museums and churches across Italy for Art History Abroad. He wrote and presented the TV series "Art in the National Gallery" and "Tate Modern" for Channel 4 in the United Kingdom and is the author of several books, including The Secret Language of the Renaissance.

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Product details

Series: Secret Language (Book 3)

Paperback: 224 pages

Publisher: Watkins Publishing; Reprint edition (July 19, 2016)

Language: English

ISBN-10: 1780289618

ISBN-13: 978-1780289618

Product Dimensions:

7.2 x 0.8 x 9.3 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#943,800 in Books (See Top 100 in Books)

I love books of church architecture. For me Rome was like Catholic Disneyland. However, I also like classical music and my problem with classical music is the same as it is with looking at churches - I can't figure out the eras or the styles, let alone recognize the work of a certain architect. If this is you I would buy the book. If for no other reason, you could spend a lifetime occasionally picking it up and turning to any page at random and find something enjoyable. I can't say to much more because it only came a few months ago but I knew from the first I would love it.

Interesting book, but a lot of print is way too small. Great pictures, and I realize a lot of the side bars are small to accommodate the full page prints on glossy paper. Still hard to read and enjoy. THe book is divided in three parts history, parts of the church, forms. It was interesting to see things change over time and what doesn't.

Too much text. I was looking for photos of cathedral interiors. There are some but there are too many photos of small areas and articles within the church rather than long shots of Naves and Chapels.

Whether theory or fact this is a fun and thought-provoking read. Having visited churches in many countries, and, no doubt, more to come, I will look at them with a different perspective.

This book exceeded my expectations on every level. It is written by an serious author who clearly researched his subject and has not allowed himself to be corrupted by revisionist history or political correctness. The photographs are large and beautifully reproduced;every detail the author refers to is plainly visible.The text is reserved and restrained, but contains a wealth of information and detail.Everything about this book is exceptional, from the quality of the writing to the quality of the paper. It even has a ribbon bookmark. When is the last time you saw one of those?

Love the insider details and wonderful pictures. Great book.

Interesting subject matter. However, a good amount of subject matter wasn't covered: e.g. stained glass windows, symbols used by the early churches on tiles, graves, mosaics, etc.

Wonderful review of architecture and church history.

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Thursday, March 2, 2017

Free Download On the Ocean: The Mediterranean and the Atlantic from prehistory to AD 1500

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On the Ocean: The Mediterranean and the Atlantic from prehistory to AD 1500

On the Ocean: The Mediterranean and the Atlantic from prehistory to AD 1500


On the Ocean: The Mediterranean and the Atlantic from prehistory to AD 1500


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On the Ocean: The Mediterranean and the Atlantic from prehistory to AD 1500

Review

"This beguiling, thought-provoking, sumptuously illustrated, and engaging book is essential reading." --Current World Archaeology"'On the Ocean' is a magnificent book, being carefully crafted and requiring all of Barry Cunliffe's encyclopaedic knowledge. The image portrayed, through multilateral means, offers a coherent narrative that can be followed through different times and spaces, offering both the overall view and the detailed developments. Stefan Vasilache, Journal of Ancient History and Archaeology No. 4.4"On the Ocean is a book all nautical (and terrestrial) archaeologists should read... It provides a comprehensive overview from a seafaring perspective of the Mediterranean and Atlantic from the beginnings of humankind's voyaging in these waters to the discovery of the Americas." -- Colin Martin (University of St Andrews), The International Journal of Nautical Archaeology"This is a stunning work, handsome and massive, its author a distinguished and prolific archaeologist. The maps offer a 'sea-wise view of the world,' and their unconventional projections bring readers more deeply into the narrative, which is enhanced by numerous color photographs....[T]hose with a serious interest in the subject will find this splendid, challenging book immensely rewarding....Essential."--J. C. Perry, CHOICE"The book adopts a familiar format to Cunliffe's other recent volumes and supplies everything we have come to expect. It is hugely ambitious in scope, fluently written and beautifully illustrated with panoramic photographs of landscapes and monuments, plus trademark mapping... In betwe en, the narrative takes in deep geological history, the nature of winds, tides and currents, the night sky, the peopling of islands and coastal areas and details of ship- and boat-building technology." -- Robert Witcher, Antiquity Reviews, December 2017"An absorbing and lively account of the early Atlantic and Mediterranean. Importantly, it reflects the latest research and delves deeply into the motives of those who sailed them: not just where and how they travelled, but what fears these seas evoked."--History Today"A grand and beautifully illustrated work, offering a fascinating perspective from which to understand human development and achievement."--Michael Scott, BBC History Magazine"[T]he total effect of On the Ocean is to encourage a new way of looking at European history using a maritime perspective. I hope it changes the way people think: it is good enough to do so."--Felipe Fernández-Armesto, Literary Review"This is a stunning work, handsome and massive, its author a distinguished and prolific archaeologist... Those with a serious interest in the subject will find this splendid, challenging book immensely rewarding."--CHOICE Reviews

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About the Author

Barry Cunliffe taught archaeology in the Universities of Bristol and Southampton and was Professor of European Archaeology at the University of Oxford from 1972 to 2008, thereafter becoming Emeritus Professor. He has excavated widely in Britain (Fishbourne, Bath, Danebury, Hengistbury Head, Brading) and in the Channel Islands, Brittany, and Spain, and has been President of the Council for British Archaeology and of the Society of Antiquaries, Governor of the Museum of London, and a Trustee of the British Museum. He is currently a Commissioner of English Heritage. His many publications include The Ancient Celts (1997), Facing the Ocean (2001), The Druids: A Very Short Introduction (2010), Britain Begins (2012), and By Steppe, Desert, and Ocean (2015), all published by Oxford University Press. He received a knighthood in 2006.

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Product details

Hardcover: 624 pages

Publisher: Oxford University Press; 1 edition (December 1, 2017)

Language: English

ISBN-10: 0198757891

ISBN-13: 978-0198757894

Product Dimensions:

9.8 x 1.5 x 7.8 inches

Shipping Weight: 3.3 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#633,693 in Books (See Top 100 in Books)

This is a great history by Cunliffe. The history of sailing and navigating the European coasts and north Africa as well. All the way up to the 1500s is covered. Fascinating material. The Greeks and Celts as well as Romans are covered. Buy and read today.

Cunliffe's descriptions always are presented with defined premises and probable results that are corroborated with current archaeological, genetic and linguistic artifacts and debates. While the book's title may not be original it is certainly the best summation of maritime discoveries compared with Pythias' limited descriptions from the 4th century BC. I look forward to Sir Barry's next research.

Barry Cunliffe did it again. The research that went into this book gives terrific insight into early boat construction and some of the hardship early merchant-sailors endured.

This is an extremely interesting book for those who want to read factual books.

Be warned! I have just received this, and I'm sure it is as good a text as any of Sir Barry's books. However it is printed in the smallest font of any commercially available book I've ever owned. I dare say the publishers did this so they wouldn't have to release the book in two volumes, but they've done the reader no service!

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Saturday, February 4, 2017

Free PDF Lone Star J.R.: The Autobiography of Racing Legend Johnny Rutherford, by Johnny Rutherford

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Lone Star J.R.: The Autobiography of Racing Legend Johnny Rutherford, by Johnny Rutherford

Lone Star J.R.: The Autobiography of Racing Legend Johnny Rutherford, by Johnny Rutherford


Lone Star J.R.: The Autobiography of Racing Legend Johnny Rutherford, by Johnny Rutherford


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Lone Star J.R.: The Autobiography of Racing Legend Johnny Rutherford, by Johnny Rutherford

From Library Journal

Rutherford was a very successful Indy style race car driver during the 1970s and 1980s. Among his many triumphs were three wins in the Indianapolis 500, historically the most prestigious race in America. This is his engaging account of the events and highlights of his life and career; more than that, though, it also describes what motivated him as a driver and as a person, and it truly conveys the love that he had for his decades of racing. Despite this being a compilation of reminiscences, there is continuity throughout, and the book reads very well, highlighted by descriptive passages that seem to capture the feelings, smells, and adrenaline rushes of driving a race car. Rutherford may not be well known to many current racing fans, but because of his prominence in the sport, this would make a good addition to libraries with racing history collections, especially those in Rutherford!s adopted state of Texas."David Van de Streek, Pennsylvania State Univ. Lib.,York Copyright 2000 Reed Business Information, Inc.

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Product details

Hardcover: 300 pages

Publisher: Triumph Books; 1st edition (April 1, 2000)

Language: English

ISBN-10: 1572433531

ISBN-13: 978-1572433533

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.9 pounds

Average Customer Review:

4.3 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#665,734 in Books (See Top 100 in Books)

Fun book to read, cool learning some of the history of a great champion and a good man. Lone Star JR is racing royalty.

Good discription of his life and times. Equally as good as most autobiographies of his counterparts.

wonderful ,inspiring book about a true racing legend .

The book is written with a lot of extra detail as if there would be quite a few people with no knowledge of racing reading it so it becomes a bit tedious on detail at times. There is also quite a bit of extra life detail which I didn't find completely necessary either. Overall, it is a fascinating read and an intimate look at a true motor sports icon.

Okay, so anyone that knows me knows that that I am a Rutherford fan to start with. My father worked for Gulf Oil at the time the orange disk was emblazoned on the McLaren cars and I got interested in racing ... about 1972; so I really enjoyed this book. If you were around racing as a fan in the late 60's, 70's and into the 80's, you'll enjoy this too as it speaks to what racing was like in an era that a lot of open wheel fans wish could somehow be recaptured (bring back the snake pit).

This is a Christmas Gift to my husband, who has wanted this book for years.

Unlike so many books that cover the subject of automobile racing, the author presents his personal experiences while plying his craft as a raving driver. So many books of this type descend into a diatribe of racing results race after race after race. These books are good reference resources only. This book has the heart and soul of the man in the machine, his life, his mistakes and struggles, and his elation over finally seeing his hard work break through the very lean years to personal reward. That is what we want in a book, but seldom find.

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Thursday, January 19, 2017

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Hostage: My Nightmare in Beirut, by David Jacobsen

From Publishers Weekly

In this grim memoir of his 17 months in captivity, Jacobsen, aided by Astor ( The Last Nazi ), expresses satisfaction with the arms-for-hostages deal that freed him and insists that only the current U.S. no-deals policy and government indifference stand in the way of freedom for remaining hostages. Head of American University of Beirut Medical Center, Jacobsen was kidnapped in May 1985 by Shiite Muslims seeking release of terrorists imprisoned in Kuwait. Blindfolded, chained, beaten and threatened with death, he and five others were locked in a small room. Malnourished and often sick, the group kept up morale with ad hoc religious services, physical exercises, sing-alongs, political arguments and their hopes for a rescue mission. Their captors were sometimes friendly, but Jacobsen was beaten severely after a U.S. TV anchor incorrectly suggested that a ransom appeal (reprinted here) contained a coded message. The authors press for negotiations to free those still being held. Copyright 1991 Reed Business Information, Inc.

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From Library Journal

Americans, failing to hear the cry of desperation from people radicalized by their own suffering as pawns of international politics, cannot grasp why good and innocent people are taken hostage. Jacobsen, the former director of the American University of Beirut Hospital, dedicates this account of his 532-day captivity to all victims of terrorism and their families, including hundreds of thousands of Lebanese brutalized by recent events. Held with Ben Weir and others, he gives inside information on why some hostages died, saying that both Colonel Higgens and William Buckley weren't executed as generally believed but died accidentally. He explains why Terry Anderson has been held for so long and describes how the hostages developed bonds with each other despite infighting as the U.S. refusal to bargain for their release made it the common enemy. As in Ben and Carol Weirs' Hostage Bound, Hostage Free (Westminster, 1987), bitterness remains. Informative and exciting reading for general collections. Previewed in Prepub Alert, LJ 4/15/91-- Louise Leonard, Univ. of Florida Libs., GainesvilleCopyright 1991 Reed Business Information, Inc.

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Product details

Hardcover: 308 pages

Publisher: Dutton Adult; First Edition edition (August 1, 1991)

Language: English

ISBN-10: 1556112653

ISBN-13: 978-1556112652

Product Dimensions:

20 x 20 x 20 inches

Shipping Weight: 1.5 pounds

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,671,114 in Books (See Top 100 in Books)

This book completed the picture of the daily existence of the individuals held hostage in the mid 80's to early 90's.It touched on many psychological issues to include Stockholm syndrome, and PTSD.

Excellent procuct, excellent seller

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Sunday, January 15, 2017

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Chemical Pretreatment of Nuclear Waste for Disposal (The Language of Science)

Product details

Series: The Language of Science

Hardcover: 220 pages

Publisher: Springer; 1 edition (January 31, 1995)

Language: English

ISBN-10: 030644898X

ISBN-13: 978-0306448980

Product Dimensions:

7.2 x 0.8 x 10.5 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#8,247,566 in Books (See Top 100 in Books)

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Wednesday, January 11, 2017

Free PDF Hand of Fire: The Comics Art of Jack Kirby (Great Comics Artists Series), by Charles Hatfield

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Hand of Fire: The Comics Art of Jack Kirby (Great Comics Artists Series), by Charles Hatfield


Hand of Fire: The Comics Art of Jack Kirby (Great Comics Artists Series), by Charles Hatfield


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Hand of Fire: The Comics Art of Jack Kirby (Great Comics Artists Series), by Charles Hatfield

From the Inside Flap

The first critical exploration of the work of a great comics creator

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About the Author

Charles Hatfield, Northridge, California, is associate professor of English at California State University, Northridge. He is author of Alternative Comics: An Emerging Literature. Follow his blog at http://handoffire.wordpress.com.

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Product details

Series: Great Comics Artists Series

Paperback: 304 pages

Publisher: University Press of Mississippi (December 12, 2011)

Language: English

ISBN-10: 161703178X

ISBN-13: 978-1617031786

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#522,309 in Books (See Top 100 in Books)

Jack Kirby was one of the greatest creators of American comic book super-hero mythology. Sadly, the period of his career from the 1970's onwards seemed to be littered with failed attempts by Kirby to expand on his mythology. Hatfield focuses mainly on this post '60s era Kirby and gives us some insight as to why Kirby, despite still being highly creative in both ideas and art - if not necessarily writing - was not able re-capture the past glory of his Marvel era years with Stan Lee. The opening chapter gives an outline of Kirby's career before we enter into an analysis of Kirby's art in the second chapter. The second chapter looks at Kirby as a story teller who told stories mainly through pictures rather than words. Hatfield examines Kirby's creativity through the frame work of Charles Sanders Peirce's Semiotic Theory. It is odd to see the sometimes child-like boom, crash opera of Kirby comics combined with talk of Semiotics and philosophical issues such as whether a picture represents a real object, yet it enables an interesting look at the tension that existed in those later years of Kirby's career where many people seemed to have started to become alienated by the lack of realism in both his art and his story telling. Hatfield closes the chapter by emphasising how Kirby's art used intensified depictions of emotion and dynamic movement with stillness to create a pictorial narrative. The next chapter looks at Kirby's classic early work done at Marvel comics with Stan Lee. Here we enter into some familiar old territory regarding who really was the creative genius behind classics such as the Fantastic Four - Lee or Kirby? Hatfield argues that Lee's wry colloquialisms, used in his writing, contrasted nicely with Kirby's grand epic ideas and made the early Marvel comics a winner with the comic book buying audience. Added to this, Hatfield also notes that both Lee and Kirby used their experience with other comic book genres such as romance and sci-fi to give their superhero story lines more depth. For example, on one page the Fantastic Four could be battling god-like beings from out-of-space and five pages later they could be ruminating over problems with their relationships. The irony, Hatfield contends, was delightful for comic fans. Many of these ideas are elaborated on in the next chapter along with Hatfield's contention that the notion of continuity of story line between not only specific comic book titles but also between other comic titles created by Kirby with Marvel revolutionised the superhero comic. Hatfield further contends that Kirby was also before his time when he moved to DC and created his so-called "Fourth World" mythos as it was one of the first ideas to use a range of comic titles interwoven together to tell a grander over-all story - an idea that would become commonplace in later DC and Marvel comic productions. The next chapter discusses the most captivating aspect of Kirby's work - an aspect called the "Technological Sublime." Hatfield notes that past philosophers have identified the sublime with a sense of overwhelming awe and even danger. Kirby's elaborate and intricate depictions of wild and crazy technology capture this not only for the readers of the comics but also often for the characters depicted in the comics. Hatfield rounds out the book with a specific analysis of Kirby's story telling in his DC "Fourth World" publications and his final works at Marvel, the latter with an emphasise on Kirby's "Eternals" storylines (the Eternals were a personal favourite of mine). Hatfield is a great writer and at times comes close to doing the impossible - giving words adequate enough to describe the crazy and sublime pictorial story telling of Jack Kirby.

Do not expect any light reading. This is a serious scholarly work that approaches Kirby's art through the lenses of artistic and literary analysis, and examines Kirby's contributions to the comics industry. Dividing his work in eight chapters, Hatfield takes pains in revealing Kirby, the artist, to readers. It is important for him to point out that Kirby created his narrative from his artwork, and not vice versa. This is because it is often said that Lee was the brainchild behind the stories they wrote, when in essence, it was Kirby who provided the imagination through his artwork. Secondly, and most importantly, Hatfield, through a well-balanced narrative of Marvel in the sixties, shows readers Kirby's rightful contributions to that company. Admitting that Kirby did not have the entrepreneurial spirit to create the mega-company that Marvel is today, Hatfield does point out that he "generated the raw material of Marvel. His contributions effectively re-formed and revitalized the company, which without him would not have become the Marvel we know." Later on, Hatfield contends that "Kirby warrants recognition as Marvel's signature artist and founding conceptualist... Kirby stands as Marvel's co-founder." He also elaborates on how Kirby changed the superhero genre, first, by making the superhero the predominant genre in the comics industry; secondly, by creating a pantheon of superheroes and super villains; and thirdly (although without planning), he suffuses the superhero story with soap opera elements.Hatfield pursues Kirby's authenticity as an auteur in comics by exploring Kirby's fascination with the mix of technology and magic, something that is always signature Kirby. Hatfield calls this the "Technological Sublime," a concept that Hatfield explores thoroughly through literary criticism, and with examples of Kirby's own works. After this, he examines Kirby working independently, making connections with his previous experience at Marvel (working on the Fantastic Four and Thor) with his DC creation, the Fourth World. Later, he applies artistic and literary theories to two outstanding stories from the Fourth World saga, "The Pact" and "Himon" to show us how Kirby used his narrative art to explore serious philosophical issues, such as freedom and duty. Finally, Hatfield makes a thorough analysis of why Kirby's Eternals, his last creation with Marvel after his comeback failed to survive in a world that he had helped create, precisely because of the "continuity" concept which was fundamentally Kirbyesque.After reading this work, two major things inevitably happen: first, a reappraisal of Kirby as comics artist and innovator; and secondly, a reexamination of his contributions to the world of comics, positing him as a major player or "founding father" of the modern world of comics, where the present styles of Marvel and DC flourish under his influence. In addition, works such as these show that comics can be as serious as painting, poetry, or literature, and thus, it is a subject to be discussed, analyzed, and investigated.There is an appendix of works created by Jack Kirby and about Jack Kirby. Five thumbs up.

Hatfield's book is a remarkable piece of comics scholarship, but I would emphasize that this IS a piece of Scholarship, albeit with very interesting & engaging writing and Analysis of the work of the remarkable Jack Kirby.But it is NOT for those who are just looking for a good satisfying Comics-ead of vintage brilliance. On the other hand if you are intellectually engaged by a satisfying read of Analysis of that vintage Comics brilliance, Hatfield's book is a wonderful place to begin.

Jack "King" Kirby is Here! As a child, I read the Fantastic Four, The Hulk, Thor, Capt. America, X-men, The Avengers, later it was New Gods and Forever People... just to name a few. There was something about these comics that develped a mania in me. I never stopped reading and re-reading them. My appreciation never wained. Here it is 40+ years later and I have, mainly, one man to thank: Jack Kirby. After reading this book, I have a deeper understanding of what creative processes were involved. I, like most people "into" comics, thought Stan Lee was responsible for creating the Marvel Universe. He was not. He was a "shaper" and an "interpreter" otherwise known as a scriptor. Rarely was he a creator. That was the most "eye-opening" information. Kirby was "the Genius" behind most of the comics I have come to appreciate and love. HAND OF FIRE sets the record straight.

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