Thursday, April 25, 2013

Get Free Ebook , by Philip Gulley

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, by Philip Gulley

Product details

File Size: 1562 KB

Print Length: 258 pages

Publisher: HarperOne; Reprint edition (March 17, 2009)

Publication Date: March 17, 2009

Sold by: HarperCollins Publishers

Language: English

ASIN: B0012OYBPI

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Amazon Best Sellers Rank:

#441,615 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

A well written book about God's plan of the ages to purge and ultimately save all people. I was disappointed that the author apparently doesn't believe in the Incarnation and the Resurrection or even the divinity of Christ and declares that nobody had to pay the sin debt and God could simply have forgiven all. Christians would strongly disagree since it is Christ who makes it possible for mankind to come to God, and it is the Holy Spirit who brings us to Christ and keeps us in the faith. All of scripture speaks of Christ. He is present in every book of the Bible from Genesis to Revelation. He is God in the flesh. Without Him the Bible is just another book. Without Christ there is no gospel.

As nearly all "Christians" who have gone from a strictly Bible based, traditionally moral belief system to the revelation of All Well Be Eventually Well, this author leaves moral, biblical roots to morph his Hope of Universal Redemption into a "God's good with all manner of lifestyles" theology. Not a scholarly look into the idea (Universal Redemption); just a "I no longer believe inconvenient passages of the Bible anymore," statement here and there, as though that somehow ought to satisfy the reader.

If Grace is True is thorough and intimate explanation of Universalism and a God that truly is about grace. For "traditional "Christians, this will challenge many of your long held beliefs, but read it. It is mentally healthy to view other beliefs and examine your own. Gulley is in no way intimidating or dogmatic, rather his writing is filled with the grace he writes about.

This book is having a great impact on my life. I truly believe God loves each of his children and will see them home. I no longer feel burdened to pray and witness to the "unsaved". I read every word Pastor Gulley has written, over and over.

This book makes the most sense if you truly have forgiveness in your heart. I forgive because I am forgiven! These words ring true....God will save everyone. I am a believer. This book can change your life if you'll let it. Read this book prayerfully. The authors use scripture to back up everything. Very eye opening.I give this book of love 5 stars!

I found this book very interesting. I’ve often felt that much of American Christianity limits the grace of God. This is an easy read and I found it well worth the time.

I wasn't going to read this, but a well-meaning friend urged me so strongly that I decided to give it a try. The better parts of the book are in the first 3 chapters. I appreciate the authors' arguments that the idea of Hell as we've been traditionally taught puts considerable limitations on the Love and Grace of God. If our determination as little human beings to resist God is stronger than His divine ability to draw us with his Love and Grace, his love and grace are not all that amazing. If God has picked and chosen who he will share this Love and Grace with and some aren't chosen, then His Love and Grace are not that amazing either.However their logic breaks down seriously in the last 2 chapters of the book. Jesus' divinity is dismissed, along with any serious consideration of Bible passages they find difficult. While I'm open to new takes on old ideas, I can't buy such fruity ideas based solely on the sentiments of the authors, it seems.I think I'll read the Thomas Talbot book others have recommended and see what I think. I'm certainly willing to be convinced that God is bigger and more powerful and more loving than the traditional Church makes him look. I appreciate these authors' hearts to try and relieve people of religious burdens rather than saddle people with them; however I can't take seriously such weak and unsupported arguments even for an idea I hope is true.

This book brought to light things I have been pondering and questioning about for some time. It is more in alignment with my idea of an all loving Father God.

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Thursday, April 18, 2013

Ebook Free Build This City! (LEGO City), by -Scholastic-

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Build This City! (LEGO City), by -Scholastic-

Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 3

Lexile Measure: 600L (What's this?)

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Series: LEGO City

Paperback: 24 pages

Publisher: Scholastic Inc. (August 1, 2010)

Language: English

ISBN-10: 0545177650

ISBN-13: 978-0545177658

Product Dimensions:

8.5 x 0.2 x 8.2 inches

Shipping Weight: 1.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

52 customer reviews

Amazon Best Sellers Rank:

#41,590 in Books (See Top 100 in Books)

When I ordered this book for my grand daughter, I thought it was an instruction book on how to build a city out of Legos. I was disappointed to find that it was actually a book about how buildings were constructed using Legos for the illustrations. But I changed my feelings about it when I shared it with my granddaughter. We both learned some new words about machines. She was really interested in the steps involved in putting up a building and I realized that I might be able to construct some of the vehicles just by looking at the pictures.The nonfiction part of the book is told in logical sequence with simple words and minimal text on each page. It explains the work of the foreman. It shows the steps workers take such as chipping away large rocks with the jackhammer or using shovels and wheelbarrows to take away the rubble.The illustrations are hand-drawn of Lego characters and vehicles and buildings constructed from Legos. Their bright and simple but clearly depict machines such as a bulldozer, ecavator, front-end loader, single-drum roller, compactor, concrete drum, skid loader, crawler crane, mobile crane and tower cranes.

My toddler grandson is totally fascinated by Lego Duplo construction vehicles and machines and has a lot of them and a special Lego table to build, tear down and play.This book was a Christmas present hit!

Purchased as a Christmas gift for our middle grandson as a way to expand his reading skills. So far, it has been great !

This is a book about how to build a building. There is no actual story/plot (like the other Lego City books). Bummer. This book may be good for a younger child who doesn't need a story plot. My son (5 years old) likes the pictures and descriptions though.

Cute storyline and illustrations! Great book my sons love!

bought for my nephew he loves it

As described

My son loves this book, a good amount of words to it. Good illustrations. Perfect for a bedtime or nap time read.

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Friday, April 12, 2013

Get Free Ebook Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System

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Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System

Review

There’s a well-known story about film director Alfred Hitchcock that says he believed actors were like cattle. In fact, he said they should be treated like cattle—a subtle but important distinction—but the big question is whether he actually believed what he said. As the author demonstrates in this perceptive look at Hitchcock’s American films, the director definitely believed that actors should service the story, not the other way around, but, on the other hand, he could be almost infinitely patient, allowing a performer to ease into a scene (as he did with Ingrid Bergman), and he seemed to have a keen ability to match an actor with a character (the poor performances in Hitchcock’s movies, Coffin notes, were usually due to casting choices imposed on the director by the studios). It would have been easy for Coffin to paint Hitchcock, as so many writers have already done, as a heartless director who thought actors were an inconvenient necessity, but the truth is rather more complex than that, and Hitchcock’s legion of fans should be happy that Coffin is interested in finding it. (Booklist)At present, the books and critical studies on film director Alfred Hitchcock and his movies far outnumber the films themselves. This book . . . deals in a unique fashion with the 28 Hollywood films Hitchcock directed, beginning with Rebecca (1940) and ending with Family Plot (1976). In this volume the author focuses on the leading actors in each film (usually two or three per film), the characters they portrayed, and the quality of each performance. In six to eight pages per film, the author discusses casting choices (who got the roles, who did not, and why), pertinent background material on each featured actor, a brief analysis of each character portrayed (prior knowledge of the film is helpful), progress and problems in the shooting of each film, Hitchcock’s treatment of each of the stars, the critical reception to the film and, most important, an evaluation of the nature and quality of each actor’s performance. Here, the author quotes generously from other film critics and often from Hitchcock, the master himself. However, usually the opinions expressed are those of the author and they are candid, honest, discerning, sometimes very harsh, but always interesting. The book concludes with source notes for each chapter, a filmography that gives a complete cast list and a rundown of the production staff of each film, and a brief index. Throughout the text there are numerous black-and-white photographs, many of them taken during filming. Because of the author’s unique approach to her subject, this book sheds new light on this master director and his output. This work is recommended for large libraries and nay institution involved in film studies. (American Reference Books Annual)Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System tackles a topic that is rarely discussed in any amount of detail. Coffin’s text attempts to shed new light on Hitchcock’s method of using actors (or 'stars') in interesting ways throughout his career in Hollywood. . . .There is a lot to like about Coffin’s text, and the book was a noble undertaking. It is a very enjoyable read, and it is certainly nice to see that this particular topic is finally receiving a book-length treatment. (HitchcockMaster)[Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System] is strongest in the moments when Hitchcock discusses dealing with stellar images of some actors and actresses in specific roles.... [This book] is worth reading. (Translated from the original Czech) (25fps)

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About the Author

Lesley L. Coffin is a freelance writer on film and popular culture. She is the author of Lew Ayres: Hollywood’s Conscientious Objector (2012).

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Product details

Paperback: 246 pages

Publisher: Rowman & Littlefield Publishers; Reprint edition (January 16, 2017)

Language: English

ISBN-10: 144227803X

ISBN-13: 978-1442278035

Product Dimensions:

6.2 x 0.7 x 8.8 inches

Shipping Weight: 13.8 ounces

Average Customer Review:

3.5 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#491,682 in Books (See Top 100 in Books)

Excellent look at the casting of Hitchcock's Hollywood films and how the choices made affected what was on the screen.The trick to enjoying the book is to understand that the book is limited in its scope. It only concerns Hitchcock's American films and it only concerns the casting. If you go into the book expecting grand tales on the complete productions of the films you are going to be disappointed. However if you go into the book and go along with what it's doing you will have a great time. For me the film forced me to stop and think about films that might have been or what might have happened if other films had been cast differently. The fact that the book forces you to really think about how all films are cast and the effect the casting is one of the book's strongest points.

A whole new perspective on this fascinating film maker

The author is quite right in drawing attention to the paucity of material regarding casting in Alfred Hitchcock's films, but unfortunately this book does little to remedy that deficiency. This book contains no original research, and after deciding on a fairly superficial main thesis--Hitchcock did not give much credit to his actors--Ms. Coffin slavishly follows this idea through brief (6 to 8-page) chapters about the director's films from "Rebecca" through "Family Plot."These chapters offer very little depth or insight. There is NO bibliography and her notes reveal she has relied mostly on the Donald Spoto biography of Hitchcock, the Truffaut/Hitchcock interviews, and star biographies published decades after the fact rather than consult original documents. Her book often contains egregious errors. Here is a typical example from her chapter on "Dial M for Murder":“When first purchasing the property of the stage play, Hitchcock wanted to cast the most elegant and beloved actress of the time: Audrey Hepburn.” This is just plain wrong. "Dial M for Murder" started shooting on July 30, 1953. Audrey Hepburn had already completed "Roman Holiday" in 1952, but the film did not get released until late August, 1953 and her TIME magazine cover came in September, 1953. In July, 1953 Hepburn was still an unknown to American moviegoers except for bit parts in foreign films (like her 12-second walk-on as "Chiquita" in "The Lavender Hill Mob"). This makes the rest of Coffin's "analysis" fairly painful reading, e.g. "Although a star like Audrey Hepburn would have been an undeniable box-office draw for audiences, she would have also been the biggest star in the movie..."Her chapter on "Psycho" fails to mention Hitchcock's overriding casting imperative with that film--getting the best actors he could for the lowest prices [Tony Perkins for $40,000, Janet Leigh for $25,000, Vera Miles for $10,000 (!)]--in the process of making a low-budget horror film. Coffin also does not seem to have actually watched any of Janet Leigh's prior films when stating, "It was unexpected to see a good girl like Leigh with short hair in her bra and underwear, committing robbery and trying to escape." Leigh's physical charms had unabashedly been presented throughout most of her previous career, and her portrayal of Linda, an alcoholic glamour girl marrying an older man for his money in "Safari" (1956) or Anna, a ruthless Soviet spy who uses sex to entrap John Wayne in "Jet Pilot" (1957) were hardly "good girl" parts. She literally had her bodice ripped (exposing her naked back) as Morgana in "The Vikings" (1958) and displayed plenty of cheesecake for the viewers of "Touch of Evil" (1958), so Hitchcock undressing her in "Psycho" was not unexpected at all: having her murdered while undressed was the coup.Apparently this book started as a college thesis--which is where it should have stayed until Ms. Coffin had done more research and consulted with more critical (& knowledgeable) editors that were available to her at Rowman & Littlefield.P.S. 5-Star reviews from family members [SEE "Coffintom"] are simply EMBARRASSING!

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